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An interesting new feature is the ability to take a section of live audio and instantly convert it into a MIDI clip (if the track clips are allowed to play). This is a great way to add audio loops to a set that dont necessarily have any associated MIDI channels, and can therefore be played in the performance context as well.

Cues can be assigned to clips, or to groups of clips. The first time you play a clip youre prompted for the cue name, and you can then use it for assigning this cue to clips throughout your session. You may notice a slight performance-speed benefit as well, as the preamp characteristics of the cues will help define the pitch of the clips. A follow cursor now exists for cues, a feature I never found I wanted in Live 9, so I was pleased to see its return here.

Monitor changes are back in the master track, and are represented by a fair amount of new features. The color, quantity and intensity of the most recent changes can be defined by using the track color and audio size control. The combined display of parameter information is great for spotting any changes. When you change a parameter, the change is shown as a short, animated marker on the displayed waveform. The marker color can also be defined. I found a really useful feature in the visualisation options is the ability to to choose a variable multiplier on the value of the displayed waveform. This can be quite useful when trying to spot a particular pitch change in a guitar part, or to even spot the change in period after a drum track has been detuned. It seems to have no noticeable effect on the playback rate of clips and can be very subtle at times, but as a visualisation tool for live performance, I think its perfect.

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In order for these to work, you must install the Velocity and Modulation controllers using the Ableton plugin manager. For more on the install and workflow for these, go to Ableton Documentation: Controller Install .

The truth is, there is alot to say about Live 11 as its available for download (and for some testing). But I cant pretend to have experienced everything that is possible, or to have expressed every new feature of this release. Live is a complex product with many moving parts, and its easy to spend a lot of time investigating a particular aspect of Live. Im just taking awayside to talk about some of the highlights for me, and to provide some tips for those of you looking to try out Live 11 for yourself:

Live: Audio Mapper GUI and Arpeggiator Source: Im still experimenting with how much each of these works in Live. Since I rely on Live over much of my production work, I spent much of the week learning how to use these new features. Now if we can just get some of the key feature improvements over Live 10 that would be great.
MIDI Mapper GUIs
SIDEWINDOW: Functionally identical to Live 8s SIDEWINDOW, but with some small improvements, which were also part of Live 11.
MultiMap Mapper: This is the first Free Ableton Studio release to have a feature similar to Live 9s Crossfade Mapper. If you find yourself doing a lot of note-based mapping, and dont have enough sessions open in Arrangement view, MultiMap Mapper is a useful tool. Use the three buttons at the top left of the Mapper window to assign Clips to a bank; create new bank; or select an already created bank, then add and delete Clips in the map and see the channels of your preferred instrument change accordingly as you edit the mapping.
MultiLayout: This is a version of Live 9s MultiRack 2, but with a new arrangement mode that allows you to use one instance of a layout to map a series of tracks simultaneously. Typically, this would be useful for side-chaining clip SIDEWINDOW outputs to notes, for instance.

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Clip Launcher allows you to create virtually endless musical combinations from the limited number of loops, MIDI clips or effects you can store in Live. Its a great tool for improvisation, arranging material, and extracting interesting melodic and rhythmic segments to use as the basis for more complex arrangements. In some ways its a bit like the virtual version of a Funk Circut Snare Loop. These loops are necessary for more complex contemporary music and are basically an extension of the loop piano, which is the virtual version of samplers and samplers themselves. The modern Funk music scene has in large part been indebted to Loop Pianos, as well as Loop Samplers and Samplers themselves.

Live Loops is an effective tool for quickly creating and arranging material for Live. Each Live Loop is based on a set of key parameters such as pitch, duration, and articulation, which can then be moved around the clip by clicking and dragging the mouse. Each live loop in Live also has an inbuilt, variable rhythmic pattern and can even be arpeggiated live. This means its as simple as playing a note for the loops instrument and setting up the arpeggio.

Live Sound has some great features allowing you to set up multiple virtual instruments that each have their own tone, articulation and chord possibilities, but also have the ability to send signals to eachother through the live in and out.

Ableton Live Registration Key is one of the first major digital audio workstations to come with Live Sprites. Live Sprites are the small icon images used in the timeline. Live Sprites are often used in animation, graphics or video editing and are a great way to easily keep track of audio and MIDI events.In a DAW, little visual imagery can be found that works equally well at keeping track of an audio flow, and the part gets more important as more and more complex projects get made. Theres no reason why the same couldnt be said for instrument and FX metadata.

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What’s new in Ableton Live

Mouse Wheel Zooming
Inspector View Mode
Ability to select multiple regions from the region browser and set a common master
Option to attach MIDI controllers to audio clips when performing loops
Content Library in Preferences for clips and buses
Cleaner to simplify when changing volumes or transitions