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If you want to highlight your work (like a professional), or if you are working on a great shot, and you see a flaw in the original, Adobe recommends in its online manual that you use a Recovery slider of at least 100 to pull the image back to it former brilliance. But, Belsky emphasized, that in most cases your best choice is to undo the changes you made to begin with and start over. The tool saves a lot of time re-doing your previous work, he said.
Immediately above is my shot of the London sunset. What you see is in the darkest part of the picture. Go back to this tool and raise the 100-odd Recovery slider to bring it right back. The darkest part of the image should be roughly in the middle of what you see above. Or open the same image in Photoshop and start over to achieve the same results. Easy right? The features above are available in Camera Raw 14.5. See what others have created on the web by searching for photos with a logo inside Photoshop or the default Camera Raw 14.3 user interface.
Also if your priority is getting good RAW image- the one that can be use straight out of the camera without processing. Of course, you can still do that, but you can also make the best of your image now. I ran the adjustments above. I saved the image as a flat file. What you see below is exactly what I get in RAW mode
The new RAW editing workflow allows you to improve your images using adjustment layers as well as the Smart Preview, more than 30 new modes and filters, and create your own presets or adjustment layers. In fact, this is the version I would use straight from the camera. I would not want to wait for Auto or higher grades.
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For the Crop option, Adobe has set up a slider bar, which offers any number of percentages starting at 100%. The final option is the Original Size option that will crop the image to the frame of the XMP file. It is a real shame that this is not in the Crop dialog itself, because the advantage of this is not really evident.
I would like to point out that the new Basic panel is not a new option. It’s been an option since at least Camera Raw 10. The fact that we have so many variations on it now is only a reflection of all the new preview options that have been added.
I dont normally like to get overly excited about software updates as they often come with numerous tweaks and changes that dont really improve anything. That being said, the fact that iOS 10, the default operating system on the new iPhones, was released in July 2015 has almost certainly helped to increase the number of Camera Raw 14.3 users. Thats not a flippant remark and Ive seen ample evidence of this over the last few months. Anecdotally, at least, there has been a rapid increase in the number of downloads of Camera Raw 14.3 and Lightroom Classic 11.4 since the release of the new iPhones and perhaps it could be that the original release of iOS 10 was simply too late to really encourage Camera Raw 14.3 users to upgrade to Camera Raw 14.5. However, to add further weight to the theory that Camera Raw 14.5 is being driven at least partly by new Apple iPhone owners is that, unlike iOS 10, the previous iOS updates for Apple iPhones have come bundled with exactly the same Camera Raw version that they originally shipped with. Now, I know that this isnt quite the same, because iOS 10.1 was released later in 2015, but surely Apple should at least update to Camera Raw 14.5 if it is shipping new iPhones.
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-For cameras that produce multiple RAW formats (such as the Olympus OM-D E-M1 Mark II), you can select the RAW format you wish to use and then select a parent folder. RAW images are exported to a subfolder that contains all the other available formats.
Applying exposure corrections to RAW files is a very slow process and it is easier to shoot at the exposure values you need than to make these changes. Camera Raw 14.5 brings the ability to control multiple Lightroom workflows in Camera Raw using a single adjustment slider. Use the Exposure, Contrast, and White Balance sliders to fine-tune the images you’ve made from the camera.
Camera Raw 14.5 brings a number of enhancements in the Develop module, including the ability to convert the linear color space of an image into a one-of-a-kind photo-managed color space. Many photographers use a Lab display to preview their images as they work in Photoshop. Now you can bring that Lab display to the image area itself.
Several of the settings from Camera Raw to Lightroom have been re-organized so they are more logically related to the adjustments performed in Lightroom. The processing settings are now organized into the “Processing” tab. This makes it easy to browse and select the processing settings appropriate to your adjustments.
The new “Layer” panel in the Basic panel of Camera Raw displays the stacked RAW images used in the development process. You can add or remove images to the “Layer” panel to create a side-by-side comparison of the original image and the corrected image. This helps you verify the correct process has been applied.
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Adobe Camera Raw 14.5 System Requirements
- Mac OS X 10.6.0 or later
- 3 GHz processor or faster
- 2 GB of RAM
- 2 GB of disk space
Adobe Camera Raw 14.5 Features
- Increase the resolution of the Enhanced Details high-resolution image
- Produces a raw mosaic file from images from cameras with Bayer sensors (Canon, Nikon, Sony, and others)
- Can be used with raw images from Fujifilm X-Trans sensors
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