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It’s your call as to whether you want to limit your choices to programs like those found in professional video suites. The easy part is where you start. You can choose between commercial and free video editors, including the free and open-source OpenShot and the commercial and popular Avidemux.
If you’re a creative person, you probably know that a video editor with a strong color grading and text replacement feature is what will make you more involved in your work. This edition of CyberLink Director 365 doesn’t disappoint. You can do basic color grade manipulations such as lighten and darken, adjust the hue of reds, blues, and greens, and so on. There are also colorists on the online CyberLink Community Forums who can assist you with advanced options, such as applying and correcting spherical, vignetting, gamma, and saturation plugins and sliders. They can also correct chromatic aberration and rotate your video.
Other than its superb color grading capability, I was especially impressed with how easy it was to use this version of CyberLink’s video editor. The program is easy to navigate, and the title-transition tool is especially helpful. The program’s interface is streamlined, and it has everything you need to do most video editing tasks.
I am also impressed with the stable stability of the program and its included plug-ins. CyberLink is known for its reliable products, and the power of the new edition’s performance kept me from having any crashes or freezes. You can also test the app’s performance with a speed test video. I didn’t see any glitch or frame drops even during a highly demanding test.
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There are many fixes and enhancements to the Magnetic Timeline, which offers more control over the organization of your clips than PowerDirector ever did before. You can create custom folders for groups of clips and be notified of when a new clip is added. You can also build the timeline and drag and drop clips directly onto it. And in the preview pane, the highlight color and the small icon in the lower-left corner tell you what type of clip is being viewed.
The CyberLink Cloud service has benefited from a major revamp and now offers syncing and online backups. You can now use the service from anywhere and it backs up your project automatically as you work.
About a year ago, I complained about the fussy interface CyberLink packed into the Ultimate edition. It seems like the software has gotten even less friendly, and it gives the impression that the team is working harder and harder to unload the features we wanted, making it hard to use the software. The settings and settings menus have many more options than before, but it’s not enough to make it a lot more intuitive to use.
When you open PowerDirector or whatever the app will be called next, you’ll find an About CyberLink button at the bottom of the file view window. Clicking this button takes you to the CyberLink support site (Opens in a new window), where you can read about a dozen or so features, including the CyberLink Media Viewer, a toolbar, custom color editor, settings, and several others. The support site also offers a glossary of terms you’d hear in CyberLink’s products. Aided by this, I picked up three new words: anti-aliasing, CRF (Contrast and Noise), and key color.
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What’s new in CyberLink Director Suite 365 v10.0?
Auto Effect is a lot more powerful. Instead of the program only using effects like Soften, Muzzle, and Zoom, the program now applies six others: Offset, Pinhole, Pull Back, Randomize, Water, and Zoom. CyberLink adds a new Curtain Type to the Preview page. This lets you change the motion values of layers. You can control them across different formats, too, by going to the Layers panel and using the arrows on the bottom right.
There’s more scene selection in PowerDirector. You can now add to any color key by choosing Select Color in the tool bar. With your focus point selected and over a section of orange, a Color Browser opened. You can now use the left and right keys to cycle through the color options.
Directors have used transitions to separate two different scenes in video clips for ages, and now you can apply a number of the same transitions across the timeline. You can also create cross-fade transitions between two clips in either direction. The program’s cross-fade transitions can now be animated, and the transitions’ speeds can be adjusted.
CyberLink Virtual Studio finally allows you to apply different film styles to a video clip. The program’s Film Style Editor is like Premiere Pro’s color correction tools and Blender’s Film Look Editor, but on a much smaller scale. You’ll find the Film Style Editor on the Edit Menu, and you can apply 33 film styles (as many as you have colors in your timeline), choose the frame rates that you want to apply the film styles to, and choose the color ranges to use for each film style. Once you’ve selected the setting you want in the Film Style Editor, every instance of that style you apply to your video clips will have it.
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What’s new in CyberLink Director Suite 365 v10.0
- Easy Way to Split clips
- Added support for more video formats
- Improved file handling
- Added support for 3D virtual camera
- Added support for SLOGO and BMO camera files
- Improved and optimized support for content protection (more on this in a future blog)
- The following 5 new features are still in development and might be released in the future:
- Improved and optimized 3D support
- Improved colorspace conversion
- Added more render settings for media trailers
- Improved support for authoring environments
- Improved support for content protection (more on this in a future blog)
CyberLink Director Suite 365 v10.0 System Requirements
- Windows 98, 2000, XP, Vista or Windows Seven.
- 2GB of RAM (minimum 4GB).
- 320MB of free space (minimum).
- 40GB HD.
- 2GHz processor.
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