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PreSonus Studio One 5 comes with a fully-integrated workflow for writing music in any stage of completion. The provided Score editor is feature-packed and covers a wide range of musical tools for composing, editing, and scoring your projects. Studio One integrates with PreSonus Notion compositional software, allowing you to view your score in standard notation. Plus, you can preview and export your score in Notion, leaving you free to move on to other aspects of your music. You can also view your score in Notion along with your piano roll, MIDI, and Sampler listings to organize your material in the hierarchy that suits your workflow best.
Each project can also be assigned its own MIDI map, a MIDI channel. This means you can send MIDI channels from the keyboard to individual tracks. For complex software synthesizers, this can be helpful for triggering sample-based instruments. Studio One has its own Flux synthesizer, but the designers also include samples of a bunch of other synthesizers, so they can be adjusted to suit whatever your synth or DAW of choice is.
Technically, projects can be recorded any way you like. There are no new 16-bit audio waveforms or updated virtual instruments. When you record, you have control over the compression and limiting, which is a welcome addition. Even though Studio One Professional has 64 bit support, that’s really down to the software’s footprint and not the actual file size. If the file is bigger, it will work with the same small footprint. For example, 64-bit Studio One can operate with fewer audio channels or instruments than 32-bit.
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You can now switch simultaneously between the audio recording and the Track Window by pressing the Spacebar. You can move tracks and layers up or down in the Track window, arrange them in tracks groups, split groups, and add Key Stops and automation points. Studio One also now offers MIDI, Audio Focus, and Reverb presets for each virtual instrument.
As a MIDI sequencer, Studio One easily plays and records sequences and supports use of MIDI controllers, note velocity, preset CC messages, and track name/CC assignment. You can export sequence data to MIDI, Apple Music, AAC, and MP3 formats.
Virtual instrument plugins are a difficult beast to review. Virtually every app with a notation or loop-based feature has some version of emulating a virtual instrument, even though not every offering is particularly good. I am not a huge fan of 3D modeling, much less synth modeling, and so I struggled to find the “sweet spot” of how to present my findings here. I tried to steer clear of plug-ins that looked too powerful, but I included the Virtual Studio System I/O 6 and the Komplete VI Plug-in Suite (KOMPLETE VI 10) because, while they are not on-par with an authentic analog modeling synth, they do exceed most lesser apps, and they both look stellar, sound pretty good, and are easily attainable for $99 and $499, respectively. KOMPLETE VI will work with any MIDI controller; the KOMPLETE VI 10 is a software synth that can be accessed from virtually any platform via MIDI, USB, or the computer’s audio interface.
Studio One comes with some comprehensive new loop engine instruments: 16 Bass Shots, eight Trini, nine Bongo, and 12 Glide, as well as several new piano plug-ins. These loop-based models can easily be used as bass or drum sounds in stereo, although you will probably need to convert them to mono, particularly for live performance.
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The file browser in Studio One 5 is a definite improvement, allowing you to easily navigate the contents of the project without getting lost. Moreover, you can now browse file contents by album and artist, side by side. Although many of the features that made Aperture’s version of the file browser so useful are missing (sort by timestamp, no search functionality, etc), the new interface is still just as speedy and convenient.
Solo can be applied to one or many tracks, and it lets you adjust the pan/volume/shape of the selected region by using a series of controls at the bottom of the screen. Studio One also now lets you copy and paste regions from one track to another, so you can splice in effects, automation, and other elements from one track on another.
The new Professional feature set is intended for users who need to access and manage huge libraries of content. Organize projects by song or project, add tags, and customize your workflow with the new Customize panel to save combinations of functions that you find yourself regularly using. For example, you can save a command for assigning a selected clip to the audio track, to a submix track, or to an instrument track.
Studio One’s project import and export options are just as easy to use as they were in the last release, and the new Live Export feature now lets you export any Live mix sent to Channel Tracks. This includes all of the Live automation and controls, as well as the samples.
I’d like to thank my friend and mentor, John McPherson, for his great insight into the current state of Pro Tools and Logic Pro. I still wish there were some software that would allow you to do most of this with its Smart Tool, but what’s most important is that it gets the basics right. What’s more, Studio One’s new features just might make the difference between making more money and making even more. With an expanded staff, more time and resources, and a little more “cool,” Studio One 5.5 will indeed be “cool” enough to show where Pro Tools and Logic Pro are still lacking.
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PreSonus Studio One 5 Professional 184.108.40.206528 System Requirements
- Mac OS X v10.8.5 or later
- Physical hard drive space: 8 GB of space required for running the software
- One CPU core, minimum 2 gigabytes of RAM or more
- Maximum resolution: 2048 x 1536 pixels
- Minimum resolution: 1024 x 768 pixels
- Minimum number of graphic display drivers: 1
What’s new in PreSonus Studio One 5 Professional 220.127.116.11528
- Stereo Room Library (RL): Adds support for Stereo Room library configuration.
- Stereo Room Library – ctrl+Shift+C/V: You can now quickly load or save a new Stereo Room.lsp format library from a file name, Artist name, Genre or Spotify-inspired genre instead of having to select the entire Stereo Room and hit LOAD.
- Master Disc: The following controls have been added to the Master Disc Adjustments section:
- Min Delay: To allow you to correct delays when creating instrumental mixes.
- Compression: To help you achieve a sound that is pleasing to the ear.
- Gain: To help you raise or lower the gain of your instruments.
- Limit: To help you avoid raising the volume of the quiet sections too much.
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