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Pro Tools also comes in a lower-end option, the Pro Tools SE (formerly Pro Tools 9.5). SE is the gateway drug to Pro Tools. It will get you most of the way there and is still a good choice if you’re starting out or have very little track count. It’s still not the best value if you can get Pro Tools Flex, but it has more tracks and more input and mixers than what most artists need. SE doesn’t support surround or Dolby Atmos on the Mac, but it comes with 7.1 surround support, and you can use Pro Tools Easy Audio Interface (EAI) to connect a variety of mixing consoles. You can also use the integrated interfaces with Studio One, and Avid offers software for the interfaces as well.

Pro Tools 13 had a great new interface, but it had a couple of not-so-great features, such as a weak mastering engine and good-old Pro Tools’ crazy-geeky password system for saving a multitrack session. Pro Tools 14, which you’ll get free with Avid’s easy upgrade pricing, looks like it brings everything you loved about Pro Tools to the next level. It looks great, works great, and features solid performance.

In the last couple of years, I’ve experienced only 2 or 3 mixed audio sessions that were disappointing. Avid’s a long way from perfection. I was very impressed with Pro Tools 11, and the last couple of iterations have only gotten better.

The third main mode in Pro Tools is the Songwriter, in which you create, mix, and master a song all at the same time. Songwriter and Play mode are what Avid calls “flat mixing,” which is a much-improved version of the “last-of-the-line mixing” on most computers. Songwriter makes use of the built-in MIDI sequencer and supports Avid’s new DAW storage system, which is its own high-capacity SSD hard drive. Songwriter 11 is our pick for the best DAW you can get for the money today.

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Pro Tools is an excellent sound editing and mastering tool that is well worth the money, especially if you’re in a recording studio. Pro Tools is a solid all-in-one tool and is our Editors’ Choice pick for sound editing software.

With Pro Tools 11, Avid continues to support multitrack HD video and slow-motion (DSR) video capture and playback. All that’s needed to get started is a 2.1 or 7.1 audio card, a card reader that supports HD, and a 5 megapixel or better card for video, all of which can be shared with Pro Tools.

Studio One (previously Cubase Artist), a music production software from Steinberg, is one of my favorite plug-ins: It’s a powerful, flexible, and affordable music production DAW with great support for EDM, hip-hop, pop, country, and classical music. I’ve been using it for over 10 years now, and it’s still a great tool. In fact, I’ve never had any problems, even though I use it a lot. The upgrade to v4 is a welcome addition: It brings almost all of the same features and functionality as the other (and pricier) Cubase Artist versions, along with new features and improvements. In many ways, it’s like acquiring a discounted production tool for $99, with all the functionality of Pro, and then some. Well, at least with the current price, that is. Avid has not officially announced pricing or availability for Cubase Artist 5.0 yet, though the Steinberg site has posted preliminary prices and specs for the product. The current price for the final release is $200 more than the current Pro Tools Academic, not surprising for such a powerful product. It’s a very tempting bargain.

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Improved gesture support means it’s easier than ever to access tools or features with your fingertip. Detailed guides for channel strip, panel, and some effects help you get your work done quickly and efficiently. Quickly and easily render, preview, and export QuickTime Apple ProRes video, along with H.264 export from Pro Tools LT and Avid Media Composer.

Two-channel virtual machines are no longer restricted to only working with audio. Now, with Hardware Rendering of MIDI virtual instruments you can render them into a bed and then edit the track as a virtual instrument. The audio virtual instruments from Pro Tools are a popular choice, but Virtual Studio Pads from Amplitube and EZ Chord are also great choices to experiment with. The MIDI virtual instruments are fully functional as well, and will playback as expected. Hardware rendering requires 64-bit Studio version 19 or higher, although you can run these with previous versions.

It’s pretty rare that a product release is not all about new features, but for Avid Pro Tools Free Download 17.2.7 you get a load of new ways to get work done. This time there is a Dashboard that features an updated layout, a new “Here We Go Again” feature to show alternative tracks for when you are in edit mode and the return of the Guide Sheet. Pro Tools 17.2.7 is available in this week’s download, along with a new Pro Tools Consolation update version 25.3.3.

New EZChord presets have been added to the PitchMonks library, along with the inclusion of 7 new EZ Chord virtual instruments. Included are the finest sounding 100% DSP versions of the EZ Chords and more. See the https://support.avid.com/artikel/6730413/What%E2%80%99s-New-in-Avid-Pro-Tools site for a complete listing of the new features.

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What’s new in Avid Pro Tools

New Audio-to-MIDI capability
iPhone/iPod touch and iPad apps for iOS
Amazon Alexa compatibility
Signal path update for Avid Media Composer CS6
New Avid Prelude version for the new Beatkernel 5.4
New Beatkernel 5.4 release

Avid Pro Tools Features

Easy to use operation within the Pro Tools Edit window.
Customizable tools for pitch correction, vibrato, fine tuning, and sibilants.
Insert/remove edit points to precisely control and edit a recording in real time, during playback.
Beat-mapped audio waveforms to identify exactly where an edit takes place.
Simple drag-and-drop function to quickly load and save presets on the fly.